'Where the Shoreline Used to be' Stories from Australia and Beyond, Edited by Pam McIntyre and Susan La Marca

From the BLURB:

A rich and unique collection of short fiction, poetry, illustration and song lyrics from Australia and beyond.

An encounter with a strange boy on a beach, a dog in space, a world of butterflies, a talking whale, two girls who take on the world, and a thousand silver ghosts . . . Like the pull of the tide, these stories and poems will draw you in and encourage you to explore.

Funny, dramatic and poignant by turns, and featuring both established writers and exciting new talent, Where the Shoreline Used to Be is a stunning collection that will challenge and excite your imagination.

Including: Shaun Tan • Scot Gardner • Arwa Abousamra • Trudy White • Kate Miller-Heidke • Keir Nuttall • Felicity Castagna • Amie Kaufman • Alice Pung • Gayle Kennedy • Davina Bell • Meg Caddy • Courtney Barnett • Barry Jonsberg • Meg McKinlay • Kyle Hughes-Odgers • Shivaun Plozza • Ali Cobby Eckermann • Margo Lanagan • Wil Wagner • Lizzie Wagner • Tony Birch • Leanne Hall • PM Freestone • Andrea Hirata

‘Where the Shoreline Used to be’ is a collection of short stories from Australia and beyond, edited by Pam McIntyre and Susan La Marca, who also edited the 2012 short story collection, ‘Things A Map Won't Show You’.

I loved McIntyre and La Marca’s first short story collection, and was so happy to see them come out with a second book that’s perfectly oriented for the schools market. There are long and short-short stories, poems and artwork within – all of which will stir the imaginings of young readers, and hopefully encourage them to dabble themselves in this wonderful medium.

As with ‘Map’, ‘Shoreline’ is pretty free-form thematically – these authors, poets and illustrators are allowed to run rampant with that beautiful title, though a sense of time more than place feels to have the slight upper hand.

Margo Lanagan’s ‘The Queen’s Notice’ is visceral and feral-delightful, reading like something of a ‘Romulus and Remus’ foundation myth;

It was true, he did smell, strongly and cleanly of deep earth and queen-favour. His mind was beginning to fill with other things, as a quick-tunnel trickles full of loose earth, but he still had the queen’s scene in all his skin-folds, creeping in his mouth-hairs, raw and clear, warm and sweet.

—Margo Lanagan, The Queen’s Notice
 

Amie Kaufman’s autobiographical ‘I Swear This Part is True’, cuts to the very heart of storytelling in the first place, when it comes to our own histories;

We are our own myth makers, every one of us. This is why, when it comes to our stories, the manner of the telling matters very much. Tell it right, and you can shape and create a small part of yourself.

—Amie Kaufman, I Swear This Part is True

Arwa Abousamra’s very personal ‘Muslim Footprint’ navigates her arrival in Australia at the age of nine. She came from Saudia Arabia where she was born but that wouldn’t recognise her citizenship – and then she goes through her years of schooling when she was both made to feel like an outsider, and proud of her heritage.

The whole book is full of delicious morsels – there’s not one story in there that I didn’t love. But to pick out a very few more …

Kate Miller-Heidke’s 2009 song ‘Caught in the Crowd’ has the lyrics reproduced, and as a poem it blends in beautifully with time setting – of those moments in school when you’re more than a little ashamed of the way you behaved. Those who’ve fallen in love with Shivaun Plozza’s debut novel ‘Frankie’, will revel in her short story here called ‘The Point’ – about the sheer awkwardness of being in close proximity to other people’s families while being an interloper on vacation with them. The opening line – ‘the caravan stinks of tinned pineapple,’ – was so evocative, I could feel the humidity from the page. One of my favourite Australian artists – Kyle Hughes-Odgers – illustrates a short story by Meg McKinlay (‘How To Make A Bird’).

Pam McIntyre and Susan La Marca have turned their keen editorial eyes to delivering another fantastic collection of Australian short stories that are perfect for school study, and pure enjoyment too.

5/5  

'Things a Map Won't Show You: Stories from Australia and Beyond' Edited by Pam McIntyre and Susan La Marca

From the BLURB:

An unforgettable collection of short fiction, poetry and comic art from Australia and beyond . . . 

A boy who tries to fly, a cricket game in a refugee centre, a government guide to kissing, the perils of hunting goannas, an arranged marriage, an awkward blind date, a girl who stands on her head, an imprisoned king and a cursed Maori stone . . . 

Sometimes funny, sometimes dramatic, always compelling, this collection featuring both established writers and emerging talent will broaden your horizons and excite your imagination.

Including: James Roy • Tanveer Ahmed • Michael Pryor • Ursula Dubosarsky • Sonya Hartnett • Doug MacLeod • Oliver Phommavanh • Brenton McKenna • Tara June Winch • Sudha Murty • Oodgeroo • Paul Jennings

‘Things A Map Won’t Show You’ is a collection of short stories from Australia and beyond. Edited by Pam McIntyre and Susan La Marca, the collection features new and established writers who were given “free range to choose genre, location or form”, in writing for Year 7-8 readers.

I love, love, loved this book! Pam McIntyre and Susan La Marca have done a phenomenal job of gathering diverse voices across a range of genres and all appealing to young adult readers. Here is a collection that revels in the short story, and will entice young readers to love them too. I really can’t fault this collection, and I’d actually quite like to occupy a rooftop one sunny Sunday and shout my praise from said rooftop.

First off, the look of this book is absolutely stunning. The artwork within is just lovely, and that visual aspect carried over to three short stories. Brenton McKenna’s ‘The Art of Hunting’ is an exhilarating graphic short story.

In ‘Starks’s Statues’, Tohby Riddle offers remnants of an 1860s photo journal which makes for a fascinatingly quirky short.

Chris Wheat’s ‘A Guide to Better Kissing for Australian Teens’ is ingeniously set out like a Government pamphlet.

I also loved the diversity of this collection. Obed Raggett is one of the Aboriginal writers to contribute. His biography explains that he tells stories “he learnt as a boy from his mother; others he heard around the camp fireplace” and in ‘The Two Little Round Stones’ he’s retelling one such story, which is as haunting as it is beautiful.

And I appreciated that verse stories are also included, and one of my absolute favourites was from the reflective ‘Poetry’ by Horiguchi Daigaku

Poetry 

I want to seek my poetry in pain and hardship. 

I want to write a poem irrevocable once written. 

A house without beams or pillars  

But that stays firmly upright,  

Each line supporting the other, each word 

Echoing through its neighbour. 

I want a poem that never comes to an end at its end. 

I want to find my poetry in pain and hardship.  

—Horiguchi Daigaku

So, what brings all these short stories together? There’s a definite love of the land expressed in just about all of the stories. And what I found really beautiful in some, was a child-like wonder – whether it be of the home we've always known, or a new discovery of our surroundings. Like in James Roy’s second-person narrative, ‘Out of the Yellow’, in which you and your family are driving eight hours to get your first glimpse of the ocean. 

You walk right down to the damp sand, your feet sinking into it. So this is it. This is where Australia ends and the rest of the world begins. This is what the black wiggly line means – this very spot is somewhere on it. One more step and you’re off the edge of the map, out of the yellow and into the pale blue.Another wave comes in, a bigger one. The frothy stuff washes up over your shoes, but you don’t even care. You’re on the very edge of the country. At this moment, no one is more On The Edge than you are. 

       — James Roy, ‘Out of the Yellow’

One of my absolute favourite short stories was an excerpt from Tara June Winch’s novel ‘Swallow the Air’, which has the most lovely opening of two children “cloud busting” and revelling in their surroundings;

We go cloud busting, Billy and me, down at the beach, belly up to the big sky. We make rainbows that pour out from our heads, squinting our eyes into the gathering. Fairy flossed pincushion clouds explode. We hold each other’s hand; squeeze really hard to build up the biggest brightest rainbow and Bang! Shoot it up to the sky, bursting cloud suds that scatter, escaping into the air alive. 

     —Tara June Winch, ‘Cloud Busting’

There’s also a theme in these short stories of children and young adults navigating life, and all its complications. Sonya Hartnett in ‘The Second-Last Baby Tooth’ is telling a horrible story, “the kind that makes you want to hide your head in a bucket whenever someone mentions it.” Oliver Phommavanh is one Aussie middle-grade author that I just love, and in his short ‘Introducing Wendy’ he’s bringing out more of that teen boy angst over girl catastrophes that I so love and snort over in his novels. And in Ursula Dubosarsky’s ‘Australia Day’, a little girl confronts thoughts of mortality and dying when she comes down with food poisoning.

But perhaps my favourite short story was Ruth Starke’s ‘Only a Game’, in which the NIPS XI (North Illaba Primary School) cricket team travel to a Detention Centre (also known as an APOD: Alternative Place of Detention) to play a friendly game against some of the asylum seeker kids. The game and all that’s at stake for both teams causes the NIPS to think on what they have to lose versus good sportsmanship, and is a really thought-provoking and heart-warming tale.

Here is a rather special book. Truly, this collection bowled me ever for its beauty in the brevity and for showing such a stunningly well-rounded collection of Australia and overseas voices, all offering a little something for young adult readers. This is a collection which does not discriminate across genre, and there will be something here for all young readers; poetry, contemporary, historical, fantasy, a how-to and a graphic short story. This is a collection for young readers to sink their teeth into!

5/5