Defunding the Arts
Tony Abbott is currently focused on getting senate support for his
Federal budget. Much has already been written on the many ways that the self-proclaimed
‘Minister for Women’ has let women down with this budget; between accusing
mothers of being “double-dippers” when it comes to parental leave, to community
legal centres (often on the frontlines of domestic abuse) losing their funding
after 2017.
But one aspect of the Federal Budget that hasn’t been scrutinised enough
by the general public relates to defunding of the arts. There’s a proposal on
the table to cut approximately $100 million dollars from The Australia Council – the Government’s arts funding and
advisory body.
When he proposed the cuts, Arts Minister George Brandis also announced a
new initiative called the National Program for Excellence in the Arts (NPEA) –
which will be funded by what he takes away from the Australia Council. Basically,
Brandis will be taking from our leading arts body to create another one that
nobody is really sure how it will function. Crikey’s Daily
Review recently
provided transcript excerpts from a Senate Estimates hearing in which Senator
Brandis spoke about the NPEA plan … but Crikey observed that, ‘An arts ministry staffer called before the hearing
struggled to detail how the NPEA would run, and admitted the department had not
yet determined how the grants applications process will work.’
The old adage if it ain’t broke,
don’t fix it certainly applies – but in proposing this new scheme, Brandis
is already breaking Australia’s vibrant arts community before the senate even
approves NPEA. Chairman of the Australia Council, Mr Rupert Myer and Australia
Council CEO Tony Grybowski were not told of the budget cuts ahead of time, and
in the Senate Estimates hearing Brandis admitted that his office only informed Grybowski
of the proposed cuts one day before the budget announcement. The Australia
Council has since had to cut six-year funding grants in the wake of the proposed defunding –
leaving many arts organisations staring down the barrel of closure.
Leader of the Labor Party, Bill Shorten summarised a general feeling of anger
that descended over the arts community in the wake of Brandis’ proposal; ‘People
are horrified at having to pass the new Tony Abbott and George Brandis test for
what constitutes art.’
A petition called “Australians for Artistic Freedom” has since been
organised and in an open-letter to Brandis, leaders from Australia’s arts
communities write; ‘The reason the Australia Council exists is to ensure a
peer-reviewed, independent system of funding to the arts. This independence is
vital to protecting democratic freedom of expression.’
Arts organisations will be waiting with bated breath to know the exact
criteria for applying for funding from Brandis’ NPEA plan, especially since
much has already been written about the Abbott Government’s favouritism of
certain arts organisations over others.
Steve Dow writing for The
Monthly called it “a
high-culture war,” when he detailed in particular, George Brandis and Julie
Bishop’s arts preferences. Dow noted that while, ‘the reshaped Australia
Council will operate under a new directive. Its share of the cuts ($28 million)
was delivered with a ministerial override that preserves funding for the 28
major performing arts companies, notably Opera Australia, the Australian
Ballet, capital-city theatre companies and state orchestras.’ Dow summarised
that, ‘filmmakers, visual artists, writers and small arts companies will bear a
disproportionate load of funding cuts.’
In fact, two arts organisations that did
receive additional funding in this budget (thanks to those ministerial
overrides and not NPEA) were the Bell Shakespeare Company, who will receive $1.28
million to continue its education program, and the Australian Ballet who will
receive $150,000 to support their China tour.
There’s since been open-letters addressed to Prime Minister Tony Abbott,
Treasurer Joe Hockey and Minister for Arts George Brandis from all arts
communities – outlining their opposition to the proposed defunding.
Powerful letters from the literary community; Meanjin, Kill
Your Darlings, Overland, and from Director of the Melbourne
Writers Festival, Lisa
Dempster. The National Association for the Visual Arts has also penned an open-letter, while many other leaders from all corners of
the arts community have voiced their opinions about Brandis’ proposed cuts.
A common thread throughout all of this opposition is the unease artists
feel at having Government more involved in regulating the arts, the same
Government that has already weathered heavy criticism for going back on their
word of ‘No cuts to the ABC or SBS.’
Adjunct professor at New York University, Jennifer Hamilton writing for The Conversation (a Not-for-Profit
online publication that has also lost its funding) said Brandis’ defunding of the arts is a way
to ‘insulate the arts sector from the artists.’ Hamilton predicted one huge
downfall of the proposed NPEA plan; ‘The main danger here is that some artists
may, with the understandable desire to be pragmatic and secure funding, dumb
down their politics, pull in their heads and make sure they do not offend the
wrong people.’
For some, “the arts” can be seen as a collective enigma – an “other”
industry so far on the fringe as to be obscure to the general public – but
that’s simply not the case, and it’s important that we understand exactly how
much of a threat George Brandis and his NPEA plan is to the wider community.
A group of authors writing an open-letter to Tony Abbott observed that; ‘In 2009, 11
million people visited an art gallery. To give that number context, it’s more
people than went to the AFL and NRL combined. Those numbers tell us what many
already know: that art is as crucial a part of our national identity as sport.
Australians are passionate about creating, attending, consuming and investing
in art.’
Speaking of authors – what would a domino effect of defunding arts look
like for just one sector, the book publishing industry for example? Well, cuts
to the arts means authors will not be awarded grants that allows them time to
write, so we’ll see a serious decrease in Australian books being published. This will also have an impact on books being read, if the industry is hit hard and this is a problem when almost half of our country is already functionally illiterate (that means
people who can’t read the label on a medicine bottle, or follow a recipe), so losing programs/industries that promote reading and
writing would be devastating.
And of course all the industries
associated with book publishing would be affected if there were a sudden
decrease in Australian books being released – think of the editors, printers,
typesetters, graphic designers, distribution networks, publicists, sales reps,
booksellers, librarians … the list goes on and on because the arts is a vital
part of Australian society, entwined in our community. It’s why we have to
fight for it, to keep it out of George Brandis’ increased control. And because the earth without ‘art’ is just 'eh’.
So, what can you do? I loved Lisa Dempster's Top 3 suggestions:
- Add your opinion: share your thoughts using the #freethearts hashtag
- Voice your concerns: Write to your local MP and tell them that you do not support the proposed arts cuts.
- Or sign the petition to George Brandis.
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