From the BLURB:
For Vân Uoc Phan, fantasies fell into two
categories: nourishing, or pointless. Daydreaming about Billy Gardiner, for
example? Pointless. It always left her feeling sick, as though she'd eaten too
much sugar.
Vân
Uoc doesn't believe in fairies, zombies, vampires, Father Christmas - or magic
wishes. She believes in keeping a low profile: real life will start when school
finishes.
But
when she attracts the attention of Billy Gardiner, she finds herself in an
unwelcome spotlight.
Not
even Jane Eyre can help her now.
Wishes
were not a thing.
They
were not.
Correction.
Wishes were a thing.
Wishes
that came true were sometimes a thing.
Wishes
that came true because of magic were not a thing!
Were
they?
‘Cloudwish’ is the new contemporary young
adult novel from Australian author Fiona Wood.
In case you don’t know by now, I’m kinda
obsessed with Fiona Wood and her books. From her first ‘Six
Impossible Things’ to the sublime ‘Wildlife’,
Fiona has fast become one of my all-time favourite authors, and now with
‘Cloudwish’ she’s gone and written one of my all-time favourite Aussie YA
characters in Vân Uoc Phan (whose name translates from Vietnamese to the
‘Cloudwish’ of the title).
Vân
Uoc is the
daughter of Vietnamese refugees who arrived in Australia in 1980. She lives in
a housing commission flat and attends the prestigious Crowthorne Grammar (the
pivot-point of all Fiona’s books thus far) on a scholarship. She’s fiercely
smart and a quiet dreamer, and one boy – Billy Gardiner – has been occupying
her dreams a lot lately. A freeform creative writing exercise and a glass vial
with the word ‘wish’ inside sparks something in Vân
Uoc though, something powerful and magical …
Vân
Uoc is one of the most interesting characters to come out of Aussie YA. Her
perspective as the daughter of Vietnamese immigrant parents who rely on her for
English-translation in social situations alone makes her intriguing – and
absolutely speaks to an article that fellow Aussie YA author Sarah Ayoub wrote
recently; ‘Still
looking for Alibrandi: migrant teens deserve their own young adult fiction.’
It’s also the fact that Vân Uoc feels so much pressure on her shoulders to get
good grades and embark on a worthy career to make her parents proud, and
fulfill the wish that saw them settling in Australia in the first place – to
give their daughter the best life possible. And she’s an interesting character
to be exploring the current state of Australian politics – particularly our
abysmal treatment of asylum seekers – to see this through the eyes of a young
person who comes from a side of this debate that makes it hit so close to home;
… I wish I hadn’t read the article about the fucking government’s new legislation on boat people how dare they how dare they stand in the fortress the high places the towers of privilege stamp down rain down reign down on the people who can’t find the first foothold in the green water floating drowning the soft sand the sand too far too far far far below never making it to shore they are no different from us us and then us is them we are them …
And
at the heart of Vân Uoc’s intrigue is that she’s coming from a place of
diversity. Not just racial, but that she’s from a somewhat lower socio-economic
background trying to fit in as a ‘scholarship kid’ at Crowthorne Grammar – that
alone sets her apart in Aussie YA right now. And I appreciated that Fiona Wood
wrote her with such tenderness and deep respect for her community – the fact
that the book is written in third-person alone (when ‘Six Impossible Things’
and ‘Wildlife’ were first) is partly because the author didn’t want to
appropriate that voice. I was also not surprised to learn that she worked very
closely with the Melbourne Vietnamese community to get the story and character
just right – that authenticity and deep respect shines through in this book,
and lifts the story.
And the story itself is just beautiful – very
much inspired by Jane Eyre (whom Vân Uoc is quite obsessed with). It’s a story that I’ve heard
Fiona Wood refer to as a celebration of ‘quiet girls with big thoughts’, those
people who fly under the radar but if you pay them a little attention they will
floor you. There’s the sweetest dash of romance to this tale of Vân Uoc and her
crush on the elusively cool Billy Gardiner, helped along seemingly by a little magic … it’s another
one of Fiona Wood’s romances that I want to celebrate; and makes me want to put
her books into the hands of boys and girls everywhere.
‘Exactly when did I go from being invisible to being visible?’
This was his cue to say that he’d gradually been noticing her over the last year or so – he hadn’t wanted to be obvious in his attentions, but he knew by now that, though quiet, she was smart; though shy, she had a sense of humour; though not a self-promoter, she was a dedicated, passionate artist …
Billy smiled. ‘It was that class – the first week back, when the visiting writer came. The one with the pink hair?’
Vân Uoc stopped dead. It took a huge effort to retain her cool, but she managed it. Just. ‘Yep. Yep, I remember. So, what was it that made you notice me?’
Billy nodded and looked into the middle distance as though he was trying to replay the scene in his mind. He looked puzzled. ‘It was like you suddenly had a spotlight on you.’
‘So, just to be clear: it was a sudden thing more than a gradual thing.’
'Can’t answer that – because who knows what’s been going on subliminally and for how long? Am I right?’
God, of all the annoying times for him to become reflective. ‘Billy, just concentrate on that particular class – what else did you notice about me, if anything?’
'The best way to put it, I guess, is that it was just blindingly obvious that you were the most interesting person in the room.’ Billy smiled the Doritos smile. ‘Apart from me.’
I loved this book. I’ve already re-read it twice
and have found new things to love in the re-reading. It’s just one of those
books that burrows deep – and I want to gift it to everyone, but since I can’t
physically do that I’ll take my platform here and just say please read it – you'll thank
me later.
5/5
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