From the BLURB:
Fall in love, break the curse.
It once seemed so easy to Prince Rhen, the heir to
Emberfall. Cursed by a powerful enchantress to repeat the autumn of his
eighteenth year over and over, he knew he could be saved if a girl fell for
him. But that was before he learned that at the end of each autumn, he would
turn into a vicious beast hell-bent on destruction. That was before he
destroyed his castle, his family, and every last shred of hope.
Nothing has ever been easy for Harper. With her father
long gone, her mother dying, and her brother barely holding their family
together while constantly underestimating her because of her cerebral palsy,
she learned to be tough enough to survive. But when she tries to save someone
else on the streets of Washington, DC, she's instead somehow sucked into Rhen's
cursed world.
Break the curse, save the kingdom.
A prince? A monster? A curse? Harper doesn't know where
she is or what to believe. But as she spends time with Rhen in this enchanted
land, she begins to understand what's at stake. And as Rhen realizes Harper is
not just another girl to charm, his hope comes flooding back. But powerful
forces are standing against Emberfall . . . and it will take more than a broken
curse to save Harper, Rhen, and his people from utter ruin.
‘A Curse So Dark and Lonely’ by Brigid Kemmerer is the first
book in her young-adult fantasy ‘Cursebreakers’ series that came out in 2019.
I first started reading Kemmerer back in 2012, with her YA ‘Elementals’
series – and since then, she’s just become a YA-force with a slew of
contemporary stand-alones, five books in the ‘Elementals’ overall and now the
hugely successful ‘Cursebreakers’ series. And with ‘A Curse So Dark and Lonely’
you definitely get the feeling that you’re delving into a new world by a seasoned
author who absolutely knows her niche and writes to it *exquisitely* well.
Case-in-point is how entertaining and fresh this first ‘Cursebreakers’
is, even through the fact that there have been a *lot* of Fairytale retellings in
YA recently and always; from ‘The Lunar Chronicles’ by Marissa Meyer, to the particularly
expansive realm of ‘Beauty and the Beast’ retellings specifically (‘Beast’ by
Brie Spangler, ‘Cruel Beauty’ by Rosamund Hodge, ‘Hunted’ by Meagan Spooner …
there are truly *so* many!). ‘Beauty and the Beast’ is an odd beast (sorry) in particular,
because it is a beloved Disney-version but also it is an incredibly problematic
fairytale (even knowing that all fairytales are misogynistic cautionary tales designed
to keep women in check). The best summary I’ve seen of the specific ‘Beauty and
the Beast’ issues comes from YouTuber Lindsay Ellis, and her 2017 video ‘Is Beauty and the Beast
About Stockholm Syndrome?’ (SPOILER: kinda yes)
Modern retellings have had to really push a boulder up a mountain
to counteract the inherently icky aspects of B&B, and the thing is … they
still exist in ‘A Curse So Dark and Lonely’ and they are still a problem, but;
I still really enjoyed this book regardless, and truly appreciated Kemmerer’s
deft hand in this retelling enough to not really care … which could also be
linked to my just wanting to fall into a book during pandemic. And this novel
100% achieved a couple nights of taking my mind off the world, so I’m probably
feeling disproportionate gratefulness here too, but still – I think this book
works!
First of all; there’s a little ‘Enchanted’ (the
2007 film) going on here, in that there’s the magical world of Emberfell
lurking behind Washington D.C. where heroine Harper lives a hard life with her
brother and dying mother, when she is accidentally abducted by King’s guardsman
Grey, and bought to the world of Emberfell which is currently 300-seasons into
a curse. Prince Rhen slept with the wrong witchmage and sparked her ire, turning
him into a deadly monster at the end of each season until he finds his true
love. Grey has been slipping into our world to widen the net of women to bring
back to his prince to try and make fall in love with him, and Harper happens to
be the unwitting and unlucky latest candidate.
So – yes – abduction still a marker of this series. As is
the disgruntled sexy witch who puts a curse on a selfish prince because he
dismissed her affections. Kemmerer also somewhat disturbingly introduces a fair
amount of suicidal ideation for Prince Rhen, who is truly at the end of his
tether when it looks like his 300th woman is even less inclined to love
him, more likely she’ll beat him to death with a rusty pipe … yes, there are problems.
See the aforementioned Lindsay Ellis video.
But – there’s a lot to admire here too. Harper is a heroine with
cerebral palsy, which is represented here – I think – with a lot of tenderness
and spunk. Harper undergoes this transformation to warrior princess in a lot of
ways, and I appreciated that she pondered her own ability while delivering
action and heroism in spades. My real bone to pick is how many times derogatory
terms like ‘cripple’ are used; I’d have much preferred incidental diversity in
a lot of ways, and I think Harper’s own ability to prove herself to herself would
have been more than sufficient.
I also really did love the dynamic of Grey, Rhen and Harper ….
And yes; there’s tension here (was it just me though, who thought Rhen and Grey
had a little somethin’-somethin’? I thought *that* would have been a great
twist to the fairytale!) and the cliffhanger ending happily suggests that this threesome
will become an even bigger story in book #2 (which I am starting ASAP!)
Overall; there were problems. Sure. But like I said –
Kemmerer has an uncanny ability to write seamlessly and draw readers in, even
to somewhat tired tropes and adaptations. She does it again here, and to great
effect – I loved it.
5/5
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