'The Crossing Places' The Dr Ruth Galloway Mysteries #1 by Elly Griffiths

 

From the BLURB: 

A child's bones are discovered on the windswept Norfolk marshes. Believing them to be ancient, the police call in Dr Ruth Galloway, forensic archaeologist. But this is no prehistoric grave. A cold missing person case has now become a murder investigation.

Dr Ruth Galloway is called in when a child's bones are discovered near the site of a prehistoric henge on the north Norfolk salt marshes. Are they the remains of a local girl who disappeared ten years earlier - or are the bones much older?

DCI Harry Nelson refuses to give up the hunt for the missing girl. Since she vanished, someone has been sending him bizarre anonymous notes about ritual sacrifice, quoting Shakespeare and the Bible. He knows that Ruth's expertise and experience could help him finally to put this case to rest.

But when a second child goes missing, Ruth finds herself in danger from a killer who knows she's getting ever closer to the truth...

***

'The Crossing Places' is the first book in UK author Elly Griffith's 'Ruth Galloway' series, which currently stands at 13 books with a 14th releasing in 2022.

I bought this first book *ages ago* from a secondhand bookstore, because I recognised the 'Ruth Galloway' series as one that fans of ‘Rev. Clare Fergusson & Russ Van Alstyne Mysteries’ by Julia Spencer-Fleming recommend as a similar-read. And the main reason I knew it was a similar-read was the establishment of a slow-burn romance between characters, just like in Spencer-Fleming's books ... which is personally something that I find I need in my crime-series in order to hold interest, and alleviate the darker aspects of the story.

So I've had 'The Crossing Places' sitting on my shelf for a while, and I only pulled it down because these last two weeks I've been in a real reading-slump and haven't been able to find anything that holds my interest. So I figured I'd go to my tried-and-trusted genre, crime-fic ... problem solved. Literally and figuratively.

Ruth Galloway of the series title is a 39-year-old forensic archaeologist and college teacher who specialises in bones. One day a DCI Harry Nelson comes to her office at the local university requesting her presence at a possible crime-scene, because they've found some bones ... very specifically they've found bones in the saltmarsh and peet has preserved them in such a way that they can't at first glance tell if they're thousands of years old, or tied to a missing-child investigation Nelson is currently involved in.

'Ruth Galloway' takes place at a fictional Norfolk area surrounded by saltmarsh (think of the Nine Lives Causeway and secluded Eel Marsh House, in the Susan Hill gothic novel 'The Woman in Black' for how this setting is pitched in Griffiths book too. Eerie and full of buried secrets.)

It turns out that the body Nelson has is indeed two-thousand years old and from the Iron Age. A truly extraordinary find for Ruth to document ... but she also becomes intrigued by the case that the imposing Harry Nelson is investigating, linked to a historic disappearance of another little girl 10-years ago.

So the setting for this book is truly brilliant - the saltmarsh and their sinking, glugging, muddy waters with the tide coming and going and buried forests in the ground is truly exciting and extraordinary, even more that Ruth has a house on the outskirts of the marsh and this desolate, beautiful landscape becomes spine-chilling fodder for the crime to unfold.

I loved the twists and turns of this first book, even as a few of the characters and their connections became slightly too-outlandish and convenient for me to fully believe. I did pick the culprit early on, but throughout the book and with the introduction of red-herrings and new suspects I did find myself second-guessing ... and that's not at all a bad way to be reading a new crime writer.

What did surprise me in this book is the Ruth and Harry connection. I was fully prepared for a slow-burn, maybe checking on fan-forums to see which of the 14-books I could expect some movement and action on the romance front ... so I was *shook* to discover that this relationship has a bit more kindling to it. And the many layers of complications it present by the end is pure genius.

But I think the main reason I am excited to launch off into this series now, is Ruth herself. No, I didn't love the many mentions of her being overweight (this is probably the part that read the most 2009 poorly aged for me; it's not even other people commenting on her looks, it's Ruth's internal dialogue about herself on occasions that I just didn't need). Harry for his part, matter-of-factly says that Ruth isn't his type and is indeed overweight, but it's the way she carries herself that has him intrigued. She doesn't need him, or anybody it seems - she's self-sufficient and confident and that absolutely is a lure for him and readers too.

I properly got into this first book and now I can't wait to dive head-first in 12 more!

4/5

'Love Lettering' by Kate Clayborn

From the BLURB: 

In this warm and witty romance from acclaimed author Kate Clayborn, one little word puts a woman’s business—and her heart—in jeopardy . . .
 
Meg Mackworth’s hand-lettering skill has made her famous as the Planner of Park Slope, designing custom journals for her New York City clientele. She has another skill too: reading signs that other people miss. Knowing the upcoming marriage of Reid Sutherland and his polished fiancée was doomed to fail is one thing, but weaving a secret word of warning into their wedding program is another. Meg may have thought no one would spot it, but she hadn’t counted on sharp-eyed, pattern-obsessed Reid.
 
A year later, Reid has tracked Meg down to find out how she knew that his meticulously planned future was about to implode. But with a looming deadline and a bad case of creative block, Meg doesn’t have time for Reid’s questions—unless he can help her find her missing inspiration. As they gradually open up to each other, both try to ignore a deepening connection between them. But the signs are there—irresistible, indisputable, urging Meg to heed the messages Reid is sending her, before it’s too late . . .  

'Love Lettering' is a stand-alone contemporary romance novel by Kate Clayborn that came out in 2019.

This is one of those much-buzzed-about romance books that came out around about the same time in the same contemporary category (I'd say books by; Talia Hibbert, Lyssa Kay Adams, Emily Henry and a few others) there seemed to be a real up-swing in these books being read by mainstream readers, not just the romance community, so I *heard* about them but the ability to read as they came out just got away from me ... I've bought lots of those books, but they just sat on my shelves because I have to build up an inclination to read them and really feel like diving into one genre.

But I finally did, and - gotta admit - the first couple of chapters I really struggled. I can't quite put my finger on it, but in the opening chapter we're kind of dropped into this very awkward first meeting between hand-letterer Meg Mackworth and Reid Sutherland, a groom she once met and did hand-lettering for his and his fiancee's invitations, but the wedding never went ahead ... something Meg knew would happen instinctively (they were ill-matched, and it was blindingly obvious to her) to the point that she even wove in a cryptic clue and the word MISTAKE to the lettering type. Well, when we first meet them, Reid is confronting Meg with the hidden word he can now see, and she's trying to deny and deflect.

It's a really weird opening scene, because you're *just* meeting Meg and getting a grip of what she does (which - I don't know how many people know the in's and out's of hand-lettering tbh) and she's being obtuse and vague because she thinks she's in trouble. On top of the fact that it's pretty hard to be reading a book that talks a lot about type-face and hand-lettering but not actually *see* it. Especially this scene where it's a hidden-message within lettering?

This was actually a slight issue I had with the book overall. There's not really enough done, in my opinion, to communicate the hand-lettering aspects. There are a few instances where we'll get a type change in the text but I didn't think it was enough and reading descriptions of certain loops and brush strokes, kerning, etc etc. just left me cold? And, look - not the author's fault I am sure! I am sure Kate Clayborn was all; "I bet my publisher will be able to do something cool with the actual lettering in the text!" but they ... did not. Not really. Even that cover is (I am so sorry to say) God-awful for a book that's all about this really unique hand-letterer working out of Pake Slope who hates the twee commercialisation of her art-form, to an extent - and wants to elevate it. That cover. My GAWDY.

But that's really my main qualm and I recognise it's less with the author and story, and more with the presentation - which is on the publisher. But in a book about hand-lettering, the lack of imaginations in its presentation *did* impact for me. That's just a fact.

But this is a totally solid romance overall and typeface aside - Meg and Reid are incredible. I'd say Reid is on the spectrum, and he's very reserved and unsure initially when clearly he starts having feelings for Meg. Meg is a little scatterbrained by comparison, but that's also because - and we learn this throughout - that she has her own familial hang-ups, a pretty emotionally traumatic childhood, and current fractures with her best friend and roommate. But when Reid and Meg do get together, OH BOY! It is explosive and surprisingly (happily!) explicit and sexy. I was not expecting that, but I appreciated it.

Something else I LOVED in this book was New York. New York, New York is another character in here and especially reading this when I've been deprived of travel, it was a freakin' visceral delight! Reid and Meg end up walking all over Brooklyn and New York and go to little hole-in-the-wall restaurants, ride the subway and hang out in the park and it was like I was there, exploring. That was wonderful.

Overall this was a really solid introduction to Kate Clayborn for me, and I can't wait to read more from her!

4.5/5

'I Talk Like a River' written by Jordan Scott, illustrated by Sydney Smith

 

From the BLURB:

I wake up each morning with the sounds of words all around me. 

And I can’t say them all . . . 

When a boy who stutters feels isolated, alone, and incapable of communicating in the way he’d like, it takes a kindly father and a walk by the river to help him find his voice. Compassionate parents everywhere will instantly recognize a father’s ability to reconnect a child with the world around him. 

Poet Jordan Scott writes movingly in this powerful and ultimately uplifting book, based on his own experience, and masterfully illustrated by Greenaway Medalist Sydney Smith. A book for any child who feels lost, lonely, or unable to fit in.

Absolutely beautiful messaging, wonderfully and artfully told. About a boy who stutters, and what that *feels* like both physically and emotionally.

On “bad speech days” when his classmates laugh and the words won’t come out, his Dad collects him from school and they go to the boy’s favourite place - the river. It’s here that the father makes the connection that he “talks like a river”, the “whirling, bubbling, churning, and crashing,” river . But beyond that is also calm, beyond the rapids where “the water is smooth and glistening.”

It’s not just that Jordan Scott has provided a fabulous simile for young people to think of their speech patterns, but he’s portrayed a caring and patient father gentle with his son and the obstacles he’s got before him. It’s heartwarming and wonderful.

Sydney Smith’s illustrations are watercolour, with delightful bleeds and runs that mimic the water theme - and they’ve captured light on water play magnificently.

At the back of the book is a letter from Scott called “How I Speak” which details his own childhood - and adulthood - having a stutter, being “dysfluent” and how that’s apart of his identity.

This book is very special. I bought it for my nephew who is 3 and stutters, and will be beginning speech therapy shortly - I wanted to gift it to him one day if he needs it, but I think I also hoped for some insight into how I could help him ... and I know Jordan Scott gave me that within these pages.

5/5

'The Russian Cage' Gunnie Rose #3 by Charlaine Harris

 

From the BLURB: 

No.1 New York Times and USA Today bestselling author Charlaine Harris is at her best in this alternate history of the United States where magic is an acknowledged but despised power in this third instalment of the Gunnie Rose series. 

Picking up right where A Longer Fall left off, this thrilling third instalment follows Lizbeth Rose as she takes on one of her most dangerous missions yet: rescuing her estranged partner, Prince Eli, from the Holy Russian Empire. Once in San Diego, Lizbeth is going to have to rely upon her sister Felicia, and her growing Grigori powers to navigate her way through this strange new world of royalty and deception in order to get Eli freed from jail where he's being held for murder. 

Russian Cage continues to ramp up the momentum with more of everything Harris' readers adore her for with romance, intrigue, and a deep dive into the mysterious Holy Russian Empire.

* 

'The Russian Cage' is the third book in Charlaine Harris' alternate-history urban fantasy series, in which the Holy Russian Empire rules over a portion of America after influenza wiped out a majority of US politicians and left a power-vacuum that was filled by the escaped royal family of the Romanovs.

'Russian Cage' picks up a little down the ways from second book 'A Longer Fall', after which our 'gunnie' (gun-for-hire, strictly protection not assassination) Lizbeth Rose parted ways with magical grigori Eli, who returned to the Holy Russian Empire and left Lizbeth in Texoma ('Texas') - even though they'd established a powerful romantic entanglement. Eli had family and business to settle back home, and that side of the country is tricky for Lizbeth to enter into - because she's a descendent of Rasputin, and her blood is of great value to the Tsar for healing purposes.

But it's no surprise that Book 3 kicks off with Lizbeth getting word that Eli is in trouble - imprisoned and accused of a crime nobody will reveal - and she promptly decides it's finally time to visit the mysterious Holy Russian Empire (which roughly makes up the entirety of California) to save Eli.

Now, my heart kinda sunk once I realised that a chunk of this book would be Lizbeth and Eli separated and following Lizbeth as she tries to break him out and save him. I get it, I get it - it's way more interesting if she has to navigate Eli's territory solo and raises stakes if his freedom is her motivator. But I've come to really appreciate the Lizbeth and Eli romance, and a big basic part of me just wanted to read them together again (I know, I know - stories need 'tension' and 'plot' and all that jazz!)

It is really interesting finally seeing the oft-spoke-about Holy Russian Empire through Lizbeth's eyes for the first time. The story is mostly situated in San Diego, and involves Lizbeth meeting Eli's family (his mother, sisters, brother and stepbrothers) and getting up close to the monarchy and high-society. She also gets to reconnect with her sister, Felicia, who is situated at the Grigori School where she's learning magic and also subterfuge, as becomes apparent to a fairly proud Lizbeth.

I did really enjoy this story, *even though* the Holy Russian Empire was kind of a let-down after being so built-up in the previous two books? I think it's mostly that the plot is very focused on political intrigue and savagery, so the scenery kinda passes us by? But also speaking of the intricate machinations of the plot - I also found some really Big Events just whizzed by me and it wasn't until characters were recounting what happened that I even realised where we'd moved to in the story? I think it's because lots of these finer-points happen off-page, and it's hard to keep up when there's so many major and minor characters that fill out the Russian Monarchy coming and going.

I am usually a big fan of Charlaine's ability to pace and build tension, but honestly and compared to the finely-detailed and edge-of-your-seat finesse to be found in her 'Harper Connelly', 'Lily Bard' and 'Aurora Teagarden' books (I will concede that sometimes 'Southern Vampire' plots were *a trip* ... especially during the damn faerie instalments) - I just don't have the same admiration for the crime and thriller details of the plot in 'The Russian Cage'. It's not working like a well-oiled machine, and I think it's mostly down to a particularly bloated cast and too many layers of off-scene political infighting. Which - to be fair - previously Charlaine has focused on small-town intrigue and very insular-type stories (even Sookie mostly dealt with low-level vampire bureaucracy of Louisiana, and tried hard to stay off the radar of the higher-ups). 'Gunnie Rose' is Charlaine trying to fold in alternate histories, reconfigured politics, and all playing out on a much bigger stage of how an unstable Holy Russian Empire fits into this new America - with Lizbeth as a possibly lynchpin amidst it all too. It's a LOT.

I will also flag that I kinda read 'The Russian Cage' assuming it was closing out what would be a trilogy. But as I got closer to the end I started thinking; "Hmmmm, feels like there's more to come," and then LO! - I check and there's a fourth book due now too, for 2022. Which makes me nervous. Because Charlaine Harris is notorious in many of her series for totally and tragically upending her protagonist's lives once they get a *little bit* settled. And 'Gunnie Rose' has been the darkest in tone of all Charlaine's series so far, so I'm not holding my breath for everything to continue to be smooth-ish sailing for all involved.

But, I am excited to see where else this story goes. There's a real trend now for alternate American-history Western Dystopia's (see also: 'Outlawed' by Anna North, and 'Upright Women Wanted' by Sarah Gailey) that I am *so intrigued by* and wonder if its a byproduct of the Trump era to imagine all the sliding-doors ways that America avoided catastrophe throughout history (certainly in Charlaine's series, the question of what would have happened if Russia had a foothold in America, and a deadly pandemic was mismanaged to the point of fracturing the United States is ... *pointed*. And she started this series in 2016, in 'Unfettered II: New Tales By Masters of Fantasy' Anthology!)

4/5

'Long Story Short' Movie Review

 

Long Story Short 

2020 movie, written & directed by Josh Lawson 

When time-poor Teddy wakes up the morning after his wedding to discover that every few minutes he's jumping forward to the next year of his life, he must use every precious moment wisely to keep from losing the love of his life, and to learn to love the life he's losing.

*** 

Okay, just because I got back from the cinema *buzzing* about this movie and desperate to hype it, and even though this is not a movie-review blog, I am bending the rules oh-so-slightly because Long Story Short is in the time-travel romance sub-genre; which I hope everyone knows is MY JAM! 

The movie is about Teddy (Rafe Spall) who has just gotten married to Leanne (Zahra Newman) after a long period of dating and a snap-wedding spurred on partly by meeting a stranger (Noni Hazlehurst) at Sydney's famous Waverley Cemetery - who cryptically tells him to stop relying on "later" and live his life now ... Teddy proceeds to wake up one-year into his marriage to Leanne, not having lived one second of the 12-months but finding her 18-weeks pregnant with their child. 

Around about here I thought this was going to be a matter of; each time Teddy goes to sleep he'd wake up one-year into the future (Groundhog Day rules, kind of?) but no - a little bit of magic in the air and Teddy gets only a few minutes or hours before he's being pulled a further 12-months into the future. This way he has to quickly catch-up on all the ways his life is going off the rails; he discovers he wasn't even in his infant daughter's Top 10 first-words ('daddy' ranked somewhere below 'cat' and 'dino'), first he's in marriage-counselling with Leanne, citing his workaholic nature (made worse because he doesn't love the job, just the money). Another year and they're going through a trial-separation, and so on and so forth. 

Okay, so - on paper this movie has About Time feels, the fabulous 2013 Richard Curtis movie. I actually count that movie as a favourite and a constant re-watch comfort ... BUT - and this is a big call coming from me - I actually think Long Story Short is a better movie overall and way better at hitting the laughs and feel-goods. I also genuinely think it's going to age *brilliantly* (and not just because writer/director Josh Lawson made what feels like a conscious decision to never mention time by putting a definite context on the yearly jumps). 

I often sit through About Time and have to semi-cringe through the parts that haven't aged too well (Tim is actually pretty stalky-creepy if you really want to get down to it, and many have started talking about those aspects of the movie that never sat well, but are ageing particularly poorly. Colin Dray's; ''About Time' Is the Donald Trump of Romantic Comedies' probably sums it up.) 

Not so with Long Story Short - which also comes down to the fact that the lesson Teddy is learning throughout is very overt and hella relatable, especially when communicated by the gruff and manic charm of Britishman, Rafe Spall. It's much more of an every-man (or, person) predicament - and while as an audience we can see the pitfalls of Teddy's workaholic lifestyle, it can't be denied that we've all been in his shoes too. 

What else helps this film feel like a new breed of rom-com (and one we won't be cringing over in the years to come) is a truly wonderful and diverse cast. Zahra Newman as Leanne is dazzling, a person you can feel genuine remorse at the thought of losing time with her. Ronny Chieng as Teddy's best friend Sam becomes a poignant marker in a different way to Teddy and Leanne's romantic souring, and I loved seeing Chieng tackle a role with such duality. And It was delightful to see Dena Kaplan as Teddy's ex, Becka (I loved her in Dance Academy and will always be thrilled to see her on my screen!). 

The cinematography and filming locations are also *stunning* - I think it filmed around Manly (I don't 100% know; I just recognised a spot that Looking for Alibrandi filmed when Josie is in the car with her friends?) but it was all gorgeous and more than ever made me just want to pack up and pop to Sydney for a weekend. 

I went into this film almost hoping it'd be an Aussie About Time - but then having it wildly exceed my expectations, and even possibly knock that film off my spot of top comfort-watch! It actually though, reminded me more of late-90s, early-00s Australian romantic-comedies when it really felt like we were taking the American blueprint and putting our own mark on it, to make something better and deeper? Josh Lawson is in league with those Australian gems - I'm talking about Pip Karmel movie starring Rachel Griffiths, Me Myself I (1999) or Antony J. Bowman's Paperback Hero starring Claudia Karvan and Hugh Jackman. We were *good* at this - and in recent years it does feel like Australia has started remembering that fact (see also: Top End Wedding!) 

Heck, if I'm honest ... this is something lockdown and a trashfire year has given me, and all of us. A reminder that Australian movies - our art - are so goddam good. And you'd think that me (of all people!) wouldn't need reminding, but I did. Right now we're seeing - for the first time in our HISTORY - Australian movies in the Top 3 spots at our box-office (article here). And with Long Story Short having dropped on Valentine's Day - we're now Top 5 Australian movies at the box office, US content totally locked out (BOOYAH!) 

Long Story Short was so goddam charming and delightful. It was good for my soul, and I can't wait to re-watch it ... I also can't wait to tell more people about it, and encourage them to behold another new-era in Australian cinema; a more heartfelt, honest rom-com that won't be a guilty-pleasure in a couple years, but will rather stand the test of time (ironically enough). I certainly know that I'll be turning to it for a yearly comfort re-watch in the future, when it comes. 

5/5 

'Take Me Cowboy' Copper Ridge #6 by Maisey Yates

 

From the BLURB: 

She's just one of the boys, but with a new business in Copper Ridge, Anna Brown needs to change that. Her brothers bet she can't land a date for a fancy charity event. So Anna turns to her best friend—the hottest bachelor in town—for advice. 

Rancher Chase McCormack wants in on that gala. If Anna takes him, he promises to turn her into a lady. But the makeover reveals what he's long suspected—Anna's irresistible! Is his best friend prepared to be taken—heart, body and soul—by her very own cowboy?

I don't even remember when I purchased this little paperback of Maisey Yates's book ... probably from the fab Big-W 'romance reads' section, and knowing that I have a ton of Maisey Yates titles I've accumulated on my Kindle via NetGalley, she's a name I always look out for on those shelves. Because I have always known that I intend to get into reading her one day. She's beloved in the romance genre; a prolific author (with 100+ titles under her belt in a relatively short time considering she came onto the scene in 2010). I also know her background was as a mum of 3 living close to poverty in rural Oregon (where she still sets her stories, and lives) and writing for Mills & Boon basically pulled her and her husband out of hardship, and she's been very vocal about romance-publishing and her writing buying them their first house. Yes! I love a story of the matriarchy and possibility inherent to the romance industry that helps women become entrepreneurial and successful (for more, see 2015 doco 'Love Between the Covers').

So I dug this little paperback out when the need to finally delve into Maisey's backlist became too great, and this book was a great place to start! A point-of-order however; this is classified as both book six in the 'Copper Ridge' series but also the first book in the 'Copper Ridge: Desire' series which I *think* is a slight off-shoot wherein they offered two-for-one Harlequin's (my copy was 'Take Me, Cowboy' and 'Seduce Me, Cowboy' - which is No. 3 in the 'Copper Ridge: Desire' series ... confusingly)

I do want to go back and begin at the beginning of 'Copper Ridge' and for anyone slightly baffled and overwhelmed, Maisy has a helpful guide on her website; 'For New Readers' and she suggests with 'Part Time Cowboy' in the 'Copper Ridge' series.

But, anyway - 'Take Me Cowboy' is a friends-to-lovers AND dating-for-a-bet story of tomboy mechanic Anna, and her best friend (and ladies' man) Chase who both find that they need dates to an upcoming gala event ... Anna to prove to her brothers that even though she's 30 and never been in a relationship, she can most definitely pull a guy - and Chase, because he wants the town to see him as more than a one-and-done stud since he and his brother have an important business venture they intend to put forward. Anna and Chase agree to fake date in the lead-up to the gala, but deep down Anna knows she's playing with fire because she's always had more then just friends feelings for her bestie. And Chase knows he's putting his feet closet to the flames because he's always guarded his heart with empty one-night-stands and no-strings-attachments, and Anna is something very different.

I loved this set-up, it's two tropes in one and both that I love. I will say I was a little *shocked* that Maisey Yates writes steamy sex scenes. I'm not sure why, but I thought she was a 'cut to the billowing curtains' type romance writer? Huh. Pleasantly surprised to discover that's not the case, even if I also found Anna and Chase jumping into bed together a little too soon for my liking, considering all they had on the line with regards to their friendship.

This was a solid intro to Maisey Yates's books, and now I'm looking at the bounty of her backlist and *gleeful* at the idea of jumping in all over the place!

4/5

Rom Com Pods

 

Okay, something slightly different from me ... a Podcast review! 

I don't know about you, but during the 111-days hard lockdown here in Melbourne I clung to my one daily walk, and podcasts became a lifeline for me too. The intimacy and joy of them, having people in my ear-holes chatting away or telling me a story was such a good stress-reliever. I have lots of favourite podcasts now; from political and pop-culture, story-driven, true-crime and mystery .... here's but a brief list of what I love and listen to; 

• Pod Save America 
• 7am Podcast 
• Keep It
• How to Fail 
• Shedunnit
• Too Long; Didn't Watch 
• The Rewatchables
• Noble Blood
• Slow Burn
• The Eleventh
• Nice White Parents
• ‎Staying In with Emily & Kumail
• Moonface

And then there's also my beloved - Rom Com Pods! This is a scripted podcast, "fiction romcom" listen created by Becca Freeman (Bad on Paper) and Rachael King (Pod People) and I am going to break both seasons down for you and review them. 

So far there have been two seasons (two totally different stories) both 7-episodes each and yes, a third season is currently in the works for 2021. 

Season 1 was Honeymoon For One and deals with 28-year-old Claire finding her fiancée cheating on her right before their wedding. Buoyed by her sympathetic bestie, and depressed at the thought of returning to her dead-end job, Claire decides to go on her honeymoon solo and gift herself a much-needed restart. 

It's just a little sad that the honeymoon they'd booked (and she'd meticulously planned) is a couples tour-group around Italy ... so Claire finds herself on a big tour with a couple of Instagram-influencers, an older couple who have lost *none* of their libido, and a seeming odd-couple of empty-nesters, and their tour-guide is an American living in Italy, Matteo. 

Honeymoon follows Claire on this weeks-long holiday as she lives out her traveller's dream, rediscovers her love for photography and gets closer and closer to guide, Matteo - who while charming, is also a little cagey about his background and just how he ended up living in Italy. Claire's curiosity is particularly piqued when she wanders into Matteo's local bookstore, and finds a book with a dust-jacket that includes his author photo! 

I really, thoroughly enjoyed this first season and as a first-intro to what Rom Com Pods is all about. It's not just that the set-up was great, it's that the story had a natural cast of secondary characters who really filled out the background and made for a more intimate listen. And of course, that Claire and Matteo's romance was so wonderful - they're played by Amy Stricker and Shajehan Khan, and I've got to say it's a staple of the whole production that their casting is *always* brilliant. These actors sparked off each other, and had such great beats that really amped up the feeling of the awkward getting-to-know you stage, and the I'm-developing-feelings-for-you journey. 

This season is very much Under the Tuscan Sun, and for some reason I also kept thinking of the Chasing Liberty casting and European zip-around'ing too. I loved this first season, and it got me so amped for what ever else this production had up their sleeve.

Season 2 is Vote for Love - also 7 episodes long, but a whole new story. This one deals with young woman Lucy, who works for the Governor of Texas when we first meet her - and she's nursing a pretty healthy crush on the governor's son, Lincoln. The two share a passionate kiss on the night that the governor is re-elected, and Lucy is elated to think that maybe her crush will turn into something more ... but then the very next day she learns that Lincoln has run off to L.A. after having yet another falling out with his father. 

Fast-forward 8 years and Lincoln is a legit music star, after breaking out on the reality TV show 'Sink or Sing' - he's like an older Shawn Mendes with the soulful song-writing of Ed Sheeran, and he's got a model girlfriend and chart-topping hits. His father meanwhile, is now running for President and Lucy is assistant to the Governor's chief-of-staff on the campaign. But they've hit a snag with Gen Z voters and poor youth turnout in the lead-up to the election, so even though the Governor and his son have a frosty relationship, Lucy is tasked with representing the campaign and reaching out to (/beg) Lincoln to use his celebrity prowess to help his Dad. 

Lucy and Lincoln come face-to-face for the first time since their electric kiss from eight-years-ago, and radio-silence from Lincoln after he left the next day and never reached out to Lucy again. But he - somewhat reluctantly - does agree that his Democratic father is the better candidate against a conservative Republican, and agrees to help his Dad boost poll numbers amongst 'the youth'. 

But Lincoln and Lucy still have mad-chemistry that just about explodes on the campaign-trail as they both get closer and closer to each other and reveal their insecurities and desires during the turbulent weeks leading up to a make-or-break Presidential election. 

I also loved this season, no surprise. It's The West Wing meets Nashville, by way of Michael Keaton/Geena Davis 1994 movie Speechless. That's a lot of my intersections! But this season was particularly great because of the added bonus of a music-component to the production, Spencer Sutherland who plays Lincoln actually does sing - and in episode one he even performs a rendition of The Backstreet Boy’s “I Want It That Way”! Sutherland is undoubtedly the stand-out in this season, especially the episode where they have him playing a huge concert as Lincoln - and it is just *swoony* (if you're a fan of the Stage Dive Series by Kylie Scott or any of those music-romance sub-genres, this is the season to give you heart-eyes BIG TIME!) And Lucy actress, Regan Shea is also fab - the two just bounce off each other and make this 10/10 cuter. 

So that's Rom Com Pods - https://www.romcompods.com/ - my favourite scripted podcast, and I am eagerly awaiting its third season!