Reading Matters 2013

Christmas has most definitely come early for Australian fans of young adult literature.

Reading Matters is an event held by the State Library of Victoria’s wonderful Centre for Youth Literature (CYL) whose sole purpose is to promote reading for all young people. And in 2013, the CYL team have concocted quite a treat with Reading Matters – in which they bring beloved young adult authors to Melbourne for an event that celebrates all things YA.

 “Reading Matters is a Melbourne-based celebration of everything that’s unique and exciting in the world of youth literature: From storytelling impresarios to graphic novelists, insights into the narratives of games to debating the politics of YA fiction, this program is as diverse as the teen readers themselves.”   

So, have I piqued your interest? Well, hold on to your spectacles fellow bibliophiles – because yesterday the CYL team made the first of three announcements, revealing the author line-up for Reading Matters next year, and it’s a wee bit fantastic.

From the CYL website:

 

Gayle Forman is a Brooklyn based, award winning author and journalist whose articles have appeared in Seventeen, Cosmopolitan and Elle. She burst onto the scene with the bestselling, contemporary titles If I Stay and Where She Went, books that are infused with passion, music and memorable characters.  

Libba Bray is the New York Times bestselling author of The Gemma Doyle trilogy; the Printz Award-winning Going Bovine; Beauty Queens; and The Diviners series. She is originally from Texas but makes her home in Brooklyn, NY, with her husband, son, and two sociopathic cats.  

Andrew McGahan debuted on the literary scene with The AustralianVogel Literary Award-winning Praise. In 2004 he won the Miles Franklin Literary Award for The White Earth. The Coming of the Whirlpool was the first title in his move into youth literature –the beginning of a swashbuckling series full of action and adventure.

Alison Croggon has published award-winning poetry, plays and an opera or two. She started writing fantasy in the late 90s, was nominated for two Aurealis awards in 2002, and reimagined the spooky moors of Brontë in her 2012 YA release Black Spring.  

Myke Bartlett was born in Perth, and spent his first twenty years trying to escape. A trained journalist, Bartlett writes on politics, movies, pop culture and rock music for Australia’s best known cultural publications. His debut young adult novel Fire in the Sea won the 2011 Text Prize.

I am so, so, so excited by each and every one of these authors (and I'm crossing my fingers that Libba Bray attends at least one event in her infamous cow suit!). They represent some of the best that young adult has to offer – from the Miles Franklin-nominated to Printz-winners – covering a range of genres; from contemporary, fantasy, historic and everything in between.

These are some of the current Rock Stars of young adult literature – and if you don’t believe me, check out this post, in which Persnickety Snark recounts her American trip to the YA Lit Symposium & YALLFest last month, and includes a ridonkulously cool photo of the signing queues Gayle Forman attracts!

I am so excited for Reading Matters. Nothing compares to meeting your favourite authors face-to-face, waiting in line with a mixture of thrilling anticipation and crippling nerves for the chance to present a well-worn and beloved copy of their book for signing. To get a couple of seconds with them just to say; “Hey, you write like you’re in my head and while that’s sometimes unsettling it’s also unparalleled in its awesomeness. So, thank you.” And to also hear our favourite authors speak, at length, about what makes them and their characters tick, how they hone their craft and what else they have in store for us. 

Reading Matters is to young adult readers what Woodstock was to hippies and music-lovers, if you will. It's going to be an extraordinary opportunity to congregate with fellow fans and YA-worshippers, meet your literary idols and take your reading to the next level.

I. Can’t. Wait!

This is the current schedule for Reading Matters:

Tickets are on sale now, so hurry up and book your place for the young adult Rock-Fest of the year!

Interview with Andrew McGahan, author of the 'Ship Kings' series

Andrew McGahan’s first book in his ‘Ship Kings’ young adult series was a notable CBCA book and made the Inkys longlist. A rollicking and exhilarating sea adventure, the book feels like an ode to the greats like Robert Louis Stevenson and Herman Melville; it’s a remarkable new series, and both children and young adults will find themselves pulled into the swelling story.

Second book in the ‘Ship Kings’ series is released on November 1st, and is ‘The Voyage of the Unquiet Ice’

I was lucky enough to pose a few questions to Mr. McGahan in the lead-up to his second book’s release. . .

☼

Q: Are you a ‘plotter’ or a ‘pantser’ - that is, do you meticulously plot your novel before writing, or do you ‘fly by the seat of your pants’ and let the story evolve naturally?

For most of my earlier novels I was content to let things develop as I wrote, although I usually had a fair idea of where I was going, but for a four volume fantasy series it did feel necessary to plot things out in somewhat more detail, book by book. That said, nothing turns out exactly as I planned, and I’m quite happy to veer off in new directions if they occur to me mid-manuscript.
 

Q: Where do story ideas generally start for you? Do you first think of the character, theme, ending? Or is it just a free-fall?

I generally have a beginning in mind, and an ending, when I start – but often only a vague idea of how to get from one to the other. Or to put it another way, I know what emotional and dramatic state I want the characters to end up in – usually that means exhausted or traumatised in some manner! - but the question is one of how to reduce them to that state in a way that feels meaningful and significant.
 

Q: Your ‘Ship Kings’ protagonist is a bit of a contradiction. The first page of ‘The Coming of the Whirlpool’ describes how Dow will one day be known as Last of the Ship Kings, but in a twist of fate the first half of his life was “a landlocked one.” I’m just curious if you wrote this series as a great lover of the sea, or as a “landlocked” author fascinated by it?

Entirely the latter. I’m no sailor – indeed, like Dow I grew up nowhere near the sea, and even as an adult I’ve never taken any great interest in boats or in getting out on the ocean. My interest is purely in seafaring tales, which I’ve always loved, from Moby Dick on; not seafaring reality.
 

Q: There’s such fabulous detail in the ‘Ship Kings’ series – everything from sea life to sea creatures is meticulously explored and beautifully bought to life. I’m curious what sort of research you did in writing these books?

I didn’t go overboard with research (if you’ll excuse the pun) as this is a fantasy series and so it’s as much about creating a new world as it is about accurately recreating the real one. So I didn’t, for instance, go and serve on a tall ship or anything. But I did read up a lot on both small boats and large ships and on how to handle them, and studied the raw basics of navigations etc, so as not to have my boats and ships doing things which are utterly ridiculous – hopefully. But I’m sure I wouldn’t fool a real sailor for five seconds, and nor am I trying to.
 

 

Q: ‘Ship Kings’ is your first foray into children’s literature after your great success as a writer of adult books (even winning the 2005 Miles Franklin Award). What prompted you to enter into children’s fiction? Did you consciously set out to make ‘Ship Kings’ for a younger audience?

I wasn’t overtly thinking Young Adult, it was more that I was thinking of a certain style of fantasy – a classic and simple style, if you will, which is less about the complexity of the politics and intrigues of the created world, and more about the pure wonder and adventure of it. I guess that style of fantasy just naturally lends itself to the YA category, but I’d like to think adults can still enjoy it too.
 

Q: Is it harder to write for adults or children/young adults? And since writing for this readership, have you started reading other young adult and children’s books? 

I haven’t read much YA stuff, to be honest, even now. But then I’m always way behind the times in my fiction reading, whatever style I might happen be writing in myself, so that’s nothing new.
As for comparing YA with adult – I don’t think that one is notably any easier to write than the other. There’s more subtext perhaps in an adult novel, so the thought processes behind imagining the different levels of narrative might be more complex, but the craft of writing the actual story is just as demanding for a YA fantasy adventure as it is for anything else. You still have to strive and sweat in the effort to get it right.
 

 

Q: ‘Ship Kings’ is intended as a four-part series, with second book ‘The Voyage of the Unquiet Ice’ released on November 1st. Can you give us any hints about what’s in store for books three and four; ‘The War of the Four Isles’ and ‘The Ocean of the Dead’? 

Ha – no hints, beyond saying that the scale and drama of Dow’s adventures will only increase as he voyages through battle and war and very strange seas to the utmost ends of the Four Isles world. 
 

Q: Favourite author(s) of all time?

There’s too many to name. But as we’re talking YA fantasy, I’ll plug Patricia Wrightson, whose Australian YA fantasies like The Nargun and the Stars and The Ice Is Coming quite changed my life, as well as changing how I thought about the land I lived in.
 

 

Q: Favourite book(s)?

Again, there’s so many. But in the seafaring vein, Moby Dick, The Cruel Sea and The Kraken Wakes.
 

Q: What advice do you have for budding young writers?

For a first draft, don’t worry too much about the opening paragraph or chapter, just breeze on through quickly and get to the story’s end, then you’ll know what the start should really be like.