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Showing posts with label Kelly Gardiner. Show all posts
Showing posts with label Kelly Gardiner. Show all posts

Monday, August 12, 2013

'The Sultan's Eyes' by Kelly Gardiner

 Received from the Publisher

From the BLURB:

The year is 1648 and life in Venice is serene for Isabella Hawkins and her friends Willem, Al-Qasim and Signora Contarini. Together they publish fine books like the controversial encyclopaedia, The Sum of All Knowledge. When a new Inquisitor declares war on free speech however, they are forced to flee across the seas to the wondrous capital of the Ottoman Empire, Constantinople, which is ruled by the infamous Sultanate of the Women. Old friends and new, including the boy Sultan and his sister, welcome them to the world′s greatest city. But Isabella is soon entangled in poisonous palace intrigues, while her friends secretly play perilous games of their own.

Sixteen-year-old Isabella Hawkins has experienced much sorrow in her time – first fleeing from England with her scholar father when The Tribunal of the Holy Office of the Inquisition (aka ‘The Spanish Inquisition’) rode throughout the land, upholding Catholic orthodoxy by any means necessary. Isabella and her father tried to flee to Amsterdam; but only Isabella arrived, orphaned after losing her father to the bitter seas. But the Inquisition, and one Holy man in particular called Fra Clement, was never far behind. 

While in Amsterdam Isabella befriended and began working for a scholar called Master de Aquila and his young printing apprentice, Willem. But Fra Clement and his Holy order came again – and Master de Aquila was lost, trying to preserve the writings of Isabella’s father in ‘The Sum of All Knowledge’. 

But Isabella and Willem kept running and eventually found peace and acceptance in 1640 Venice, where we last left her, having found a new happiness for herself working for Signora Contarini’s Mermaid Press.

Now the year is 1648, and Isabella has known true happiness and beauty in Venice where she works with her friends – Signora Contarini (Valentina), Willem, Luis and Al-Qasim – and is again surrounded by books.

But when invitations arrive, inviting everyone to the Doge’s Palace, the past begins to stir and trouble lurks . . . and Isabella is again confronted by the Inquisitor, Fra Clement, whose Holy campaign has now stretched to the intellectual, artisan capital of the world – beloved Venice. Clement has been following Mistress Hawkins for all these many years, hell-bent on bringing her godlessness to justice.  


‘Your father was a blight on Christendom, like your precious Master de Acquila, like you,’ said Fra Clement. 
Who are you to say that?’ 
‘I am the Holy Father’s Inquisitor. I am the appointed hand of the Faith.’  
‘You know nothing about faith,’ I said. ‘You think it is about restricting people’s minds, people’s words.’ 
‘Faith without rules is merely superstition.’  
‘Is that what you believe? You couldn’t be more wrong. Faith without wisdom is merely superstition. Rules are made by men, and rules can change.’ 
‘These rules,’ Fra Clement took a breath through clenched teeth, ‘hold the world together. Shatter them, Mistress Hawkins, and you shatter faith.’ 
‘I doubt that very much. Real faith is about everlasting kindness, about grace, about mercy – and understanding. These things are the essence of all the great religions. If you had read Master de Acquila’s book, you would know that. But you haven’t read it, have you?’  
‘Of course not.’

Isabella and her friends accept there is nowhere in Christendom they will be safe from the Inquisition, at least not for people like them who have dedicated their lives to the pursuit of knowledge. So they decide to escape, to the Ottoman Empire and Constantinople.

This is a strange new land indeed, and only ex-pat Al-Qasim is wary of what lurks in their new sanctuary. 

All seems well to begin with, especially when the eight-year-old Sultan Mehmed IV reveals his love for ‘The Sum of All Knowledge’. But eventually Palace politics intrude on the group’s new refuge, and each of them must play a delicate game to keep their lives and guard their secrets . . . 

‘The Sultan’s Eyes’ by Australian young adult author Kelly Gardiner is the continuing tale of Isabella Hawkins’s thrilling life; sequel to the 2011 novel ‘Act of Faith’. 

I loved this book from first line; 


In Venice, the days die slowly

To last page. 

This really shouldn’t come as a surprise, since I fell in head-over-heels love with first novel ‘Act of Faith’ and have been desperate for Isabella’s continued tale since I first heard that Gardiner had more in store for my favourite Philosopher and Adventurer. ‘The Sultan’s Eyes’ does not disappoint, and has been well worth the two-year wait. 

When the novel begins we are offered only a small glimpse of what Isabella’s life has been like since we last left her, content and working with books once again, in beautiful Venice. We see that she has kept herself surrounded by the same people she met and befriended in ‘Act of Faith’, and now this group of bibliophiles and knowledge-pursuers have become a family. But just as quickly as we are reacquainted with Isabella, we are running with her again when The Inquisitor turns his raid on Venice – a city full of intellectuals and artists, and ripe for the Inquisition’s orthodoxy. And when Christendom is not safe, the group turn to Constantinople and the Ottoman Empire for refuge.

 Now, my heart gave a thrilled little flutter at Isabella and Co. venturing to Constantinople (now, Istanbul) because I have plans to visit there very soon. And now, more than ever, I want to see this beautiful and chaotic city because Gardiner’s descriptions are mouth-watering. Indeed, nobody evokes place and history quite like Gardiner for me – it’s not just her describing the many towers of the Byzantine city, or the silk burqas Isabella and Valentina wear. It’s in her describing the feel of the city –particularly through the eyes of Dutch Willem and British Isabella for whom this place is so wholly foreign, caught between Europe and Asia and unlike anything they have ever seen or experienced before.

‘The Sultan’s Eyes’ is also a much bigger book than ‘Act of Faith’, where that first book came in at 227-pages, Isabella’s new adventure is a satisfying 334. And most of the book does take place in Constantinople; a much different plot which doesn’t see Isabella escaping and on-the-run, so much as plotting and surviving within the Sultan’s palace.

Eight-year-old Sultan Mehmed IV is a precocious and driven young man. He has dreams of one day being greater than Alexander the Great, and when Isabella seeks asylum on his shores he thinks he’s found a way to start his process to Greatness by turning her into a sort of Scheherazade . . .  


‘Mademoiselle Hawkins will be my eyes,’ the Sultan announced in a loud voice. ‘She will read every book on earth to me. Through her eyes I will see the whole world. I will speak a dozen languages, understand the meanings of the stars and the ancient wisdom. I will know everything.’ 

I loved that Isabella and her friends were mostly settled in Constantinople, and the crux of the story is about them surviving Palace life. I would say that ‘Act of Faith’ was about Isabella the Adventurer – ‘The Sultan’s Eyes’ lets us see Isabella the Philosopher. We get a chance to see her dodge Palace politicking and untangle webs of lies, and we see how Isabella’s moral compass has developed through the years spent running and hiding from one man’s vengeance and misguided faith. In this book, we see how the years have shaped Isabella into a kind and determined young woman. This is never more apparent than in her caring for the Sultan’s sister, Ayşe, whom she insists be educated by Isabella right alongside her brother. 

The whole book is an opportunity to know the family Isabella has surrounded herself with, those she collected along the way in ‘Act of Faith’ and who she remains steadfastly loyal to. I loved reading about Willem’s dogged pessimism, Valentina’s strength and a small a spark of something between Luis and Al-Qasim. These are some beautiful characters who complement Isabella, and make it easy to see how she’s been shaped into the young woman she is today.

I also have to say that the book itself is stunning, as each chapter includes images from the Rare Books Collection of the State Library of Victoria. Behold and sigh;




Gardiner’s second book for Isabella ends exactly the way I wanted it to – full of wide, open spaces and endless possibility – which is just what I had hoped for my favourite Adventurer & Philosopher. We’d been with her through the fear and heartache of ‘Act of Faith’, and in ‘The Sultan’s Eyes’ we see what those trying years have moulded her into – this brave and cunning young woman who is loyal to a fault and exactly the kind of heroine I want all girls to be reading. 

5/5



Monday, August 27, 2012

The Inky Awards 2012 Shortlist Announced




Below are the details of the Inky Awards 2012 Shortlist! I had so much fun being an Inky judge; I got to meet some wonderful bibliophiles and had the opportunity to read and champion some fantastic books!

I owe a big thanks to the State Library, Centre for Youth Literature and Inside a Dog for inviting me to judge (and calling me an 'industry expert' - watch my ego inflate!)
Congratulations to all those who made both the long and short list (it was seriously tough competition), I hope that everyone who is eligible votes, and that everyone attends the awards on October 23 (I'll be there! With bells on!)


The Inky Awards are Australia’s teen-choice awards as voted for online by the readers of insideadog.com.au. It recognises home grown writing talent with the Gold Inky, and titles from across the ocean with the Silver Inky.

The judging panel consisted of four teenagers from around Australia; author and 2011 Gold Inky Award winner James Moloney; and industry expert Danielle Binks. Together they whittled down the 2012 Inky Awards Longlist to five Australian titles (Gold Inky), and five international titles (Silver Inky), for the 2012 Inky Awards Shortlist.

The Inky Awards – Vote Now!

Voting is now open on insideadog.com.au/vote.

Include your username while voting and you will go in to the draw to win the entire shortlisted books!

*If you’re not registered you can register at insideadog.com.au.

Voting is open to ages 12-20.

Voting closes on the 14 October 2012.

Winners will be announced at The Inky Awards event on the 23rd of October. Find out more about the event on the State Library of Victoria’s What’s On page.

Follow the Inky Awards experience via -
Twitter: @insideadog #Inkys Facebook: Inside A Dog




Gold Inky (Australian books)
Shift by Em Bailey
Night Beach by Kirsty Eagar
Act of Faith by Kelly Gardiner
Queen of the Night by Leanne Hall
The Reluctant Hallelujah by Gabrielle Williams



Silver Inky (International books)
BZRK by Michael Grant
The Fault in Our Stars by John Green
Why We Broke Up by Daniel Handler
A Monster Calls by Patrick Ness
Daughter of Smoke and Bone by Laini Taylor


Wednesday, March 28, 2012

What advice do you have for young writers?

Thomas Mann hit the nail on the head when he said:

"A writer is somebody for whom writing is more difficult than it is for other people."

Amen to that!

Every writer stumbles and hits roadblocks. What can help pick yourself up and trudge on is advice from authors who have been there, and overcome the very same roadblocks. 

Below are a few writers I have interviewed over the years, and their answer to my question: "What advice do you have for budding young writers?". Some are wacky, others are practical. All are worth thinking about.

 If you have a good piece of advice, then please share it in a comment. Every little bit helps, after all :)

 
Don’t be afraid to write and keep writing, but also don’t be afraid to edit. Don’t be put off by rejection – easier said than done! It goes without saying that you should read widely and when you come across something you love, take note of how the author has achieved this. And as I said earlier, enter your writing in competitions. You never know your luck!

Read. Write. Read. Write. And again. That’s all. Just keep being as good as you can be. On a more practical level, read passages out loud so you can hear if they ring true – and if something makes you hesitate or wonder, then it needs more thought. I learned that the hard way.

I’m currently writing in 25 minute bursts with a five minute break in between, just about chained to the desk so I can’t get distracted. It really works, especially for rough drafting. If I can’t think of the right word or I don’t know some historical fact, I just write “something” and go back to it later. Otherwise I can spend twenty minutes looking up the etymology of one word or the price of boat hire on the Thames in 1640 and not write any more for hours.

 

Read as much and as widely as you can - not just in the areas where you're already a fan but in new genres.

Don't just focus on "being a writer" and living in your own imagination - have another life, another career, that feeds into your writing by connecting you to the real world.

Write a lot, and again, write widely. Try lots of different ways to tell the stories, or communicate the impressions, that you carry around inside you. That way you'll find the forms that suit you.


Get a really terrible job first. I worked on a building site for a short time and it was horrible. When I find it hard to write or just don't feel like it, I remember how it felt holding those bricks around. If you really want to be a serious writer, don’t get married or have kids.

Get a wife.

And also, don’t try to do it all on a laptop. Even is all you have is a laptop, buy a separate keyboard that you can set up to reach ergonomically. Seriously. Look after those tendons. You only have one set.


Keep writing. It’s boring advice, but it really is the most important thing, I think. You need to love writing and keep at it, always practicing and writing new things, even if you don’t get published quickly (most authors don’t)

Wednesday, July 27, 2011

Kelly Gardiner interview

I recently read Kelly Gardiner's new historical YA novel 'Act of Faith' and I was enthralled. The book has it all - murder, treason and plot set amidst a grand European adventure and with a marvelously gutsy heroine at the helm.

So I was delighted to have the opportunity (thanks to HarperCollins) to pick the author's brain and ask some burning questions.

Without further adieu, I give you - Kelly Gardiner!




How long did it take you to write ‘Act of Faith’, from concept to final manuscript?

I researched and wrote it in two phases: the first, longest phase, began when I lived in New Zealand a few years ago and took probably a year including the research. The second phase, redrafting, took about six months part-time, once I’d moved back to Australia – and there was a long gap between the two, which I don’t recommend, because I forgot some of the things I’d researched and had to do it all over again. But real life intervenes sometimes.



How were you first published – agent or slush pile?

I was first published by HarperCollins New Zealand from the manuscript that I submitted for the first Swashbuckler book. I like to think it never sat in a slush pile, but I guess it did. I posted it in, waited the recommended six weeks, then rang up, terrified, and the lovely Lorain Day picked up the phone and said the words every author dreams of hearing: “Hello, yes, I would LOVE to talk to you about your wonderful manuscript”. Only later did I understand how extremely rare that is.

Then I got an agent to help me with the contracts and rights, about which I absolutely no idea at the time, and she also pitched my picture book to Random House a few years later. But right now I don’t have an agent and do it all myself.



‘Act of Faith’ takes Isabella on quite the epic European sojourn – from England to Amsterdam, Verona and Venice. Being a travel writer must have helped you recreate these destinations – but did you write any of ‘Act of Faith’ while in these countries and cities, walking those cobblestone paths?

Not in this case, although the sense of place is always very important to me - and I do feel as if my memories of the times when I have walked along the canals in Venice and stood in St Marco are only a heartbeat away. But I do think it’s important, if you can, to write and research on the spot. It’s not always possible, especially in a book where there are so many settings. I wished I could sail up the Rhine, and ride across Italy on horseback, but those things are a little tricky when you also have a day job.

With the Swashbuckler books, I drafted two of the novels, and then went to Malta for fact-checking and to just absorb that glorious place and its history. I’m doing the same with my current work in progress – going to France later this year. Walking in your characters’ fictional footsteps is always safest – harder work than people imagine, but so much fun.



If Isabella was a modern woman living with no misogynistic roadblocks in 2011, what do you imagine her career path would be?

What a great question! I suspect she would be an Orange prize-winning author and philosopher. Or maybe she’d run an independent publishing house – with the signora, of course.
She might even be the Pope. That’d put the cat amongst the Vatican pigeons.


I was ecstatic to read that ‘Act of Faith’ has a sequel coming out in 2013, called ‘The Sultan’s Eyes’. Can you tell us a bit about the sequel (and if Signora Contarini’s prediction of a man to match Isabella’s wit will come to fruition?)

It’s set initially in Venice and then moves to Istanbul, when Isabella, Willem, Al-Qasim and Signora Contarini are forced to flee the new Inquisitor of Venice – Fra Clement. Many of the familiar faces return, including some who may be unexpected, and there is a whole new cast of characters from the court of one of the world’s great empires: The Sultanate of the Women which at the time ruled the Ottoman Empire.

The plotting so far is rather more labyrinthine, so I’m still not sure where some of the threads will lead. As for Signora Contarini’s prediction – well, that would be telling. But you never know.



You work at the State Library of Victoria, and there are some beautiful illustrations within ‘Act of Faith’, from the Sticht Collection of the library’s Rare Books Collection. How long did it take you to find these gorgeous images? And how much fun was it to go searching through those dusty tomes?

The collection at the Library is so huge I had no idea those items were even there, but while I was doing the final drafts I did – like many other researchers – ask to look at amazing maps and books printed by people similar to Master de Aquila and Signora Contarini. Then the Director of Collections suggested I look at the Sticht Collection, which consists of hundreds of book leaves, frontispieces and printer devices from the early centuries of printing in Europe.

The first time I looked through them, I nearly cried. They are stuck (decades ago) on loose sheets of creamy cardboard, each in its own protective cover, and you take them out of these boxes in which they are carefully sorted by the country and city of the printing house. We don’t have dusty tomes!

First I looked through and narrowed them down, then I went back and took some photos, then the book designer, Jane Waterhouse, and publisher, Lisa Berryman, came in and we chose our favourites together. They are all from Dutch and Italian printers of around 1650 or earlier. The poor librarian had to get the boxes out of storage about five times, but she was delighted to hear us ooh and ah over them. It was like a magic/time travelling link to the fictional world and we all came over a bit emotional. When we left that afternoon, Lisa said “Let’s not tell anyone how much fun we have at work – they’d never believe it!”



All of your novels thus far have been swash-buckling, historic young adult adventures. What’s the appeal of history – and why do you so enjoy writing for the younger set?

My head is full of history all the time. I can’t help it. Always has been. One of the reasons for that is that when I was younger I read my way through one of the great eras of historical fiction: the books of Rosemary Sutcliff, Leon Garfield, Geoffrey Trease and others. I used to go to the library and stock up every week, and then read them all over again. I’d like to think that I’m continuing their tradition – detailed research, interesting history and a rollicking adventure. That’s the dream, anyway!


On that note – would you ever write an adult novel?

I’m working on one now – it’s part of my PhD project and it’s a novel based on the life of a real swashbuckler, Mademoiselle de Maupin. I’ve also written one set on the Somme in World War I, but it needs more work before it sees the light of day.



If you stumbled across a time-machine (akin to the Tardis) – what moment in time would you most like to visit?

The moment when Elizabeth I met the Irish pirate queen Grace O’Malley.



Favourite book(s) of all time?

War and Peace.


Favourite author(s)?

Changes all the time – at present, probably AS Byatt, EL Doctorow and Emma Donoghue.



What advice do you have for budding young writers?

Read. Write. Read. Write. And again. That’s all. Just keep being as good as you can be. On a more practical level, read passages out loud so you can hear if they ring true – and if something makes you hesitate or wonder, then it needs more thought. I learned that the hard way.

I’m currently writing in 25 minute bursts with a five minute break in between, just about chained to the desk so I can’t get distracted. It really works, especially for rough drafting. If I can’t think of the right word or I don’t know some historical fact, I just write “something” and go back to it later. Otherwise I can spend twenty minutes looking up the etymology of one word or the price of boat hire on the Thames in 1640 and not write any more for hours.

Saturday, July 23, 2011

'Act of Faith' by Kelly Gardiner

Received from the Publisher

From the BLURB:

When ideas were dangerous, one girl found the courage to act.

England, 1640. Sixteen-year-old Isabella is forced to flee her home when her father′s radical ideas lead him into a suicidal stand against Oliver Cromwell′s army. Taking refuge in Amsterdam and desperate to find a means to survive, Isabella finds work with an elderly printer, Master de Aquila, and his enigmatic young assistant, Willem.

When Master de Aquila travels to Venice to find a publisher brave enough to print his daring new book, Isabella accompanies him and discovers a world of possibility - where women work alongside men as equal partners, and where books and beliefs are treasured.

But in a continent torn apart by religious intolerance, constant danger lurks for those who don′t watch their words. And when the agents of the Spanish Inquisition kidnap de Aquila to stop him printing his book, Isabella and Willem become reluctant allies in a daring chase across Europe to rescue him from certain death.

The year is 1640 and Europe is on the brink of religious upheaval. Catholics in England are being executed, while other countries are burning ‘heretics’ at the stake unless they take up the Catholic faith. The Tribunal of the Holy Office of the Inquisition in Spain (aka ‘The Spanish Inquisition’) ride to maintain Catholic orthodoxy in their kingdoms – beating and imprisoning those who go against the church and God.

It is the worst time to be an intellectual. And Heaven forbid a man of intellect should wish to share his knowledge with others – to put pen to paper and give life to his musings. But that is just what Master Hawkins does – a teacher and a scholar, he is also a talented author with a most popular (if banned) book called ‘Discourse on Liberty’. Except, Master Hawkins is not alone in his scholarly pursuits. He gets a helping hand from his daughter, Isabella.

Isabella pens letters to her father’s overseas colleagues. She helps him with his notes and engages in constant intellectual battles with him. She lives a happy life, content to be pushed to her intellectual edge.

But then Oliver Cromwell’s army marches. Her father is imprisoned and accused of blasphemous dealings against God. When Isabella helps her father escape the stocks, tragedy follows them in a shipwreck on the way to Amsterdam. . . Isabella is suddenly alone in the world, an orphan.

She is taken in by a printer – Master de Aquila, an old friend of Isabella’s father and another intellectual zealot. Aquila is also walking a fine line, printing scandalous and informative books. But it is here that Isabella finds her rightful place – helping to create the words that will change the world.

When Master de Aquila is kidnapped like her father was, Isabella and a printing apprentice, Willem, decide to fight tooth and nail to save their master and protect a book that could see him burn at the stake.

‘Act of Faith’ is the new historical young adult novel from Australian author Kelly Gardiner.

Gardiner’s new novel is a sweeping historical saga that takes readers from Cromwell-ravaged England, Amsterdam, Germany, all the way to progressive Venice. In between we read the tentative peace of the English countryside, the canals of Venice and the Jewish Ghettos of Verona. The novel is expansive and impressive, and with Gardiner’s eloquent words and literary flair she acts as fictional tour-guide – breathing life into these cobblestoned walkways and Ghetto communities.

The settings in ‘Act of Faith’ are wonderful and easy to fall into. But the true brilliance of the novel lies in our protagonist, Isabella. She is a wonderful heroine – out of step with her times, she is a whip-quick scholar who has lived her life being encouraged and nurtured in her intellectual pursuits, regardless of her sex. She finds brilliance in the printed word, and is inspired by the idea that people’s thoughts will be immortalized in between the precious pages of books.

Isabella has such a wonderful voice. She is at once very aware of the constrictions around her – terrified by the treatment of her father and running scared at the thought of further retributions against intellectuals. But still Isabella can see that the treatment of scholars and the word of the Church are at odds and causing unfair repercussions against those who love God, but not the limitations of the pope. Isabella is the best sort of heroine to read – she’s fearless regardless of her terror, she speaks though others try to silence her, and she thinks for herself even when others try to cloud her thoughts.

The other brilliance of the novel comes in Gardiner’s meticulous recounts of printing and book production in the 1600’s. We read about this scandalous enterprise – when printing the wrong sort of book would lead to a fiery end. As Isabella becomes fascinated with the process of editing, translating, correction, and typesetting, Gardiner treats readers to some interesting insight into the world of the first bibliophiles. Anyone who loves books and worships at the altar of the printed word will find Gardiner’s explorations fascinating and uplifting – to read about these pioneers of knowledge who fought tooth and nail for freedom of speech, when it wasn’t an absolute right. This is the truly uplifting and inspiring tale of ‘Act of Faith’.


There were maps, finely etched, of a world I'd never seen before. Here was Jerusalem, there London; Amsterdam, a dot at the top of the circle that was the earth. No Heaven on this map – no Hell. Just oceans and lands and cities, as if seen by a bird. Or by God.
I held the whole world in my hands. I held a heresy in my hands.
“Master,” I whispered, “what have you done?”
We should not try to explain the world, that’s what the priests and preachers said, no matter what their doctrine.

I will say that from reading the blurb I thought there would be a romance in the story. Master de Aquila’s printing apprentice, the young man Willem, is mentioned twice in the blurb. I thought this was a hint-hint, nudge-nudge that Gardiner included a little romance for her young heroine. But as I started reading, I did think the novel was full enough without including a love match for Isabella. The settings, conspiracies and printing histories are enough to carry the story and immerse the reader. So I was somewhat pleased to discover that there is no such romance with Willem – the blurb is simply a little misleading (or maybe it was just me that assumed the relationship?). I can see that some readers may be disgruntled by the lack – but for me I was pleasantly pleased to read that Isabella had more important things on her mind than a boy’s affections.

Kelly Gardiner’s new novel is a divine story, dripping in history and delivering a wonderful message of freedom, loyalty and bravery. I loved this novel and will recommend it to bibliophiles both young and old.

5/5
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